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Title | elizabethlenny |
Description | ︎ ELIZABETH LENNY Elizabeth Lenny’s work combines notions of time, place, and material. Many of her pieces are informed by material memories; memories of |
Keywords | N/A |
WebSite | elizabethlenny.com |
Host IP | 3.215.100.79 |
Location | United States |
Site | Rank |
US$1,061
Last updated: 2023-05-20 06:16:45
elizabethlenny.com has Semrush global rank of 0. elizabethlenny.com has an estimated worth of US$ 1,061, based on its estimated Ads revenue. elizabethlenny.com receives approximately 122 unique visitors each day. Its web server is located in United States, with IP address 3.215.100.79. According to SiteAdvisor, elizabethlenny.com is safe to visit. |
Purchase/Sale Value | US$1,061 |
Daily Ads Revenue | US$0 |
Monthly Ads Revenue | US$29 |
Yearly Ads Revenue | US$352 |
Daily Unique Visitors | 8 |
Note: All traffic and earnings values are estimates. |
Host | Type | TTL | Data |
elizabethlenny.com. | A | 22 | IP: 3.215.100.79 |
elizabethlenny.com. | A | 22 | IP: 3.234.189.133 |
elizabethlenny.com. | NS | 86400 | NS Record: ns2.cargocollective.com. |
elizabethlenny.com. | NS | 86400 | NS Record: ns1.cargocollective.com. |
︎ ELIZABETH LENNY Elizabeth Lenny’s work combines notions of time, place, and material. Many of her pieces are informed by material memories; memories of encounters and interaction with the natural world. Using these memories as a starting point, each piece is then derived from correspondence between herself and the material, following its natural curves, grain, and resistance. These material properties speak of the material’s own memory, telling of its story formation. Elizabeth’s process relates to traditional craft techniques, primarily using hand tools, to slowly reveal form. The resulting work occupies space between functional object and sculpture, encouraging interaction and use, promoting continuous change over time. ealenny@gmail.com Instagram CV Elizabeth Lenny Elizabeth Lenny’s work combines notions of time, process, and material. Each piece is derived from correspondence between herself and the material, following natural curves, grain, and resistance. These followed |
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